Fine Art

Graphite drawing, oil painting, and clay sculpture — classical training at the Art Students League of New York that forms the foundation of all my design work.

Classical Foundation

Four years drawing
from life.

From 2011 to 2015 I studied drawing, painting, and sculpture at the Art Students League of New York — working from live models and still life setups under classical instruction. That observational discipline carries into every design decision I make. These are select works from that period and since.

Still life drawing of a deer skull in graphite and charcoal
Mediums Graphite, Charcoal, Oil Painting, Clay Sculpture
Training Art Students League of New York, 2011–2015

Drawing

Graphite and charcoal work from life — still life studies, portraits, and figure drawing. The emphasis is on accurate observation: proportion, value structure, and the patience to render what you actually see rather than what you think you know.

Portrait of Devin in graphite Portrait of Raven in graphite
Skull drawing in graphite and charcoal Drawing of hands in graphite
Drawing of Luna sleeping in graphite on paper

Oil Painting

Oil paintings from life and from reference — plein air landscapes, figure studies, and color work. The focus is on color mixing, edge quality, and capturing light in a way that feels immediate rather than overworked.

Plein air oil painting of a backyard Color study of a woman in oil paint
Oil painting of Ellie playing with Luna

Sculpture

Clay portrait busts modeled from life at the Art Students League. Working in three dimensions builds a spatial understanding of form that directly informs how I think about physical spaces, packaging structures, and environmental design.

Clay sculpture bust of a man Clay sculpture bust of a man
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